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・ The Pleasure Pit
・ The Pleasure Principle (film)
・ The Pleasure Principle (Gary Numan album)
・ The Pleasure Principle (song)
・ The Pleasure Principle Live
・ The Pleasure Remains
・ The Pleasure Seekers
・ The Pleasure Seekers (1920 film)
・ The Pleasure Seekers (band)
・ The Pleasure Seekers (song)
・ The Pleasure to Remain So Heartless
・ The Pleasures of Electricity
・ The Pleasures of Japanese Literature
・ The Pleasures of Self Destruction
・ The Pleasures of the Enchanted Island
The Pleasures of the Imagination
・ The Pleazers
・ The Pledge (film)
・ The Pledge (New Hampshire)
・ The Pledge Drive
・ The Plex
・ The Plimsouls
・ The Plot
・ The Plot (album)
・ The Plot (band)
・ The Plot (video game)
・ The Plot Against America
・ The Plot Against Common Sense
・ The Plot Against Harry
・ The Plot Against the Giant


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The Pleasures of the Imagination : ウィキペディア英語版
The Pleasures of the Imagination

''The Pleasures of the Imagination'' is a long didactic poem by Mark Akenside, first published in 1744.
The first book defines the powers of imagination and discusses the various kinds of pleasure to be derived from the perception of beauty; the second distinguishes works of imagination from philosophy; the third describes the pleasure to be found in the study of man, the sources of ridicule, the operations of the mind, in producing works of imagination, and the influence of imagination on morals. The ideas were largely borrowed from Joseph Addison's essays on the imagination in the ''Spectator'' and from Lord Shaftesbury. Edward Dowden complains that "his tone is too high-pitched; his ideas are too much in the air; they do not nourish themselves in the common heart, the common life of man." Samuel Johnson praised the blank verse of the poems, but found fault with the long and complicated periods.
Akenside got the idea for the poem during a visit to Morpeth in 1738.
''The Pleasures of the Imagination'' may also refer to ''The Spectator'' papers numbered 411 through 418. These specific papers differed from the rest in that they were non-narrative and philosophical, and contained less obvious social commentary.



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